"This final volume in the successful series ""The Idea of Iran"" addresses the astonishing impact made by Islam during and after the Arab conquest of Iran in the middle of the seventh century. As the Sasanian dynasty crumbled before the invaders' triumphant onslaught, its state religion of Zoroastrianism was unceremoniously dismantled to make way for the new faith of the victorious desert warriors. Yet why, if Iran jettisoned its indigen ..."
"This latest volume in "The Idea of Iran" series concentrates on the Sasanian period. Seizing power from the previous dynasty - the Parthians - the Sasanians ruled Iran and most of the ancient Near East from 224 until 642 CE. They are particularly fascinating because of their adherence to Zoroastrianism, an ancient dualistic Iranian religion named after the prophet Zarathustra (or, in Greek, Zoroaster). The Sasanians expressed the divine ..."
"The Parthians were nomadic horse-warriors who left few written records, concentrating rather on a rich oral and storytelling tradition. What knowledge we have of this remarkable people derives primarily from their coinage, which mixed Hellenism with Persian influences. In this book, distinguished scholars examine - from a variety of perspectives--the origins of the Parthians, their history, religion and culture, as well as perceptions o ..."
"Although much of the primary information about the Parthian period comes from coins, there has been much new research undertaken over the past few decades into wider aspects of both the Parthian and Sassanian Empires including the Arsacid Parthians, and their material culture. Despite a change of ruling dynasty, the two empires were closely connected and cannot be regarded as totally separate entities. The continuation of Parthian influ ..."
"This book explores the formation of the first Persian Empire under the Achaemenid Persians. It brings together a multi-disciplinary view of ancient Iran in the first millennium BC and concentrates on the art, archaeology, history and religion of a vast geographical area far beyond the present borders of modern Iran in the period beginning just before the formation of the Persian empire in the middle of the 6th century up to its collapse ..."
"A reissue of this popular title with a fresh new paperback format, this collection of beautiful Persian love poetry is richly illustrated with images from the British Museum’ s world - famous collection. Love is everywhere in Persian poetry and can be interpreted in various ways : as mystic love, the basis of the relationship between humans and God; as passionate or affectionate love between lovers, husbands and wives, parents and child ..."
Persian Myths(1st Edition) by VestaSarkhoshCurtis Paperback, 80 Pages, Published 1993 by British Museum Press ISBN-13: 978-0-7141-2082-9, ISBN: 0-7141-2082-0
"Language:Chinese.Paperback. Pub Date: October 1993 Pages: 80 in Publisher: itish Museum Press of The traditional tales and stories of withancient Iran describe confrontations between good and evil. The victories of the gods and the exploits of heroes and fabulous withsupernatural of creatures such as the magical bird Simurgh and the div or demons. Much information about Iran's pre-Islamic past comes from the holy book of the Zoroastrian ..."
Persian Myths(1st Edition) (Legendary Past Series) by VestaSarkhoshCurtis Paperback, 80 Pages, Published 1993 by University Of Texas Press ISBN-13: 978-0-292-71158-7, ISBN: 0-292-71158-1
"The traditional tales and stories of ancient Iran, which occupied a vast area of Central Asia, describe confrontations between good and evil, the victories of the gods, and the exploits of heroes and fabulous supernatural creatures such as the magical bird Simergh and the dev or black demons. Much of our information about Iran's pre-Islamic past comes from the holy book of the Zoroastrian religion, the Avesta, which was not written down ..."
"Love is a major theme in Persian poetry and can be interpreted in various ways - as mystic love, the basis of the relationship between humans and God, or as passionate or affectionate love between lovers, husbands and wives, parents and children, family and friends, or even as patriotic love for Iran. The literary style and indeed the Persian language itself are floral and elaborate, but the themes differ little from our preoccupations ..."
"The phrase 'from Persepolis to the Punjab' refers to the vast Iranian empires of the Achaemenids (550-331 BC), Parthians (238 BC-AD 224) and the Sasanians (AD 224-651), which extended eastwards through Afghanistan to the north-western borderlands of the Indian subcontinent. The interest of 19th-century European powers in this region has been called 'the Great Game' and its effects are explored in this book, which is based on contributio ..."
"Love is a major theme in Persian poetry and can be interpreted in various ways-as mystic love, the basis of the relationship between humans and God, or as passionate or affectionate love between lovers, husbands and wives, parents and children, family and friends, or even as patriotic love of Iran. The literary style and indeed the Persian language itself are floral and elaborate, but the themes differ little from our preoccupations wit ..."
"The phrase 'from Persepolis to the Punjab' refers to the vast Iranian empires of the Achaemenids (550-331 BC), Parthians (238 BC-AD 224) and the Sasanians (AD 224-651), which extended eastwards through Afghanistan to the north-western borderlands of the Indian subcontinent. The interest of 19th-century European powers in this region has been called 'the Great Game' and its effects are explored in this book, which is based on contributio ..."
"The art of the Parthian and Sasanian empires exercised enormous influence on art and culture in the early Islamic period and its legacy has continuing relevance in modern times. Pre-Islamic stylistic developments and motifs were widely adopted in the Islamic period: traditional mosque architecture, for example, draws much from Parthian and Sasanian forms. This text brings together an international panel to assess the state of knowledge ..."
"Objets et documents inscrits en pārsīg, Res Orientales XXI, BuressurYvette: p. 9–
20. Bivar, A.D.H. (1969). “A Parthian amulet”, Bulletin of the School of Oriental
and African Studies XXX, 3, 1967: p. 512525. Frye, R.N. (ed.) (1973). Sasanian
remains from Qasri Abu Nasr: Seals, sealings and coins, Cambridge, MA.
Gignoux, Ph. (1975). “Coupes inscrites de la collection Mohsen Foroughi”,
Monumentum H.S. Nyberg, I (Acta Iranica 4), Tehr ..."
"1, Acta Iranica 4, Leiden, Tehran, Liège: p. 457–470. ——— (1989). “Avestique”,
in R. Schmitt (ed.), Compendium ... (1997b). “nāirikā- e jahikā- nell'aldilà
zoroastriano”, in R. Arena, M.P. Bologna, M.L. Mayer Modena, A. Passi (eds),
Bandhu. Scritti in onore di Carlo Della Casa, Vol. II, Alessandria: p. 831–843. ...
Edizione critica del testo avestico e pahlavi, traduzione e commento, Serie
Orientale Roma 88, Rome. Sims-Williams, N. ..."
"In an article published in 1959, Robert Göbl tried to show that all the coins that
were attributed by Paruck and others to Bahram III (Fig. 26) actually belong to
Narseh, as Herzfled and Vasmer had already stated before him.37 This
hypothesis was based mainly on a careful study of the coin legends and on
Göbl's assumption that, according to the Sasanian convention of individual
crowns, each ruler was forced to adopt a new crown if ..."
"genealogy of the Cyrus Cylinder differs from that given by Herodotus for Xerxes
and the family of Darius or by Darius himself in the Behistun inscription. Since
Rawlinson's original publication of the Cyrus Cylinder in 1880, a host of scholars
have tried to harmonise these genealogies, mainly by conflating them. About six
years ago, Cyrus' family tree was the subject of an exhaustive study by R.
Rollinger who showed – convincingly, ..."
"How deeply the concept of the Oriental as friend was imprinted on the cultural
identity of imperial Rome is particularly manifest in the widespread popularity of
Oriental gods such as Attis and Mithras.119 Two images highlight the
significance of visual narratives in the process of shaping and reshaping Rome's
Oriental identity throughout the principate. The first is a handsome, desirable
Oriental on a fresco in a cubiculum of the ..."
"This final volume in the successful series "The Idea of Iran" addresses the astonishing impact made by Islam during and after the Arab conquest of Iran in the middle of the seventh century."